Miklos Rozsa (Soundtrack) / Sodom And Gomorrah

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Miklos Rozsa (Soundtrack) / Sodom And Gomorrah

あめりかん・ぱい

2,690 円 (税抜き)

発売日: 2022/8/5輸入盤USレーベル: Banda Sonora収録曲: 1.1 Overture1.2 Prelude1.3 The Gates of Sodom1.4 The Torture of Tamara1.5 The Jordan1.6 The Chosen People1.7 Astaroth's Defeat1.8 Answer to a Dream1.9 March of the Helamites1.10 The River Pastorale1.11 Wedding (17 Seconds of Silence After Music)1.12 Battle By the Dam1.13 Intermission1.14 Within the Walls of Sodom1.15 The Will of Jehovah1.16 Jealousy1.17 The Dance of the Sinners1.18 The Escaping Slaves1.19 Lot's Mission1.20 Exodus1.21 The Destruction of Sodom1.22 Pillar of Salt1.23 Epilogueコメント:As the 50s rolled into the 60s, Miklos Rozsa stood tall as one of Hollywood's go-to composers. One of a number of large-scale scores he wrote during this period - Ben-Hur and King Of Kings among them - Rozsa's Sodom And Gomorrah soundtrack captured all the high-stakes drama of the blockbuster 1963 movie it was created for. With a main overture that swells with strings, horns and a phalanx of doom-laden drums, and further cues that both match the film's luxurious stage sets and conjure life in the ancient Middle East, Rozsa's score stands as one of the greatest, most varied achievements of his long-running career. As if acknowledging that he had taken his work for historical epics as far as he could go, he left Sodom And Gomorrah as his final soundtrack of it's type, later turning to domestic dramas (The V.I.P.s), sci-fi thrillers (The Power) and fantasy adventures (The Golden Voyage Of Sinbad). Listened to today, this score remains a standout achievement from one of the true maestros of mid-20th-century cinema.As the 50s rolled into the 60s, Miklos Rozsa stood tall as one of Hollywood's go-to composers. One of a number of large-scale scores he wrote during this period - Ben-Hur and King Of Kings among them - Rozsa's Sodom And Gomorrah soundtrack captured all the high-stakes drama of the blockbuster 1963 movie it was created for. With a main overture that swells with strings, horns and a phalanx of doom-laden drums, and further cues that both match the film's luxurious stage sets and conjure life in the ancient Middle East, Rozsa's score stands as one of the greatest, most varied achievements of his long-running career. As if acknowledging that he had taken his work for historical epics as far as he could go, he left Sodom And Gomorrah as his final soundtrack of it's type, later turning to domestic dramas (The V.I.P.s), sci-fi thrillers (The Power) and fantasy adventures (The Golden Voyage Of Sinbad). Listened to today, this score remains a standout achievement from one of the true maestros of mid-20th-century cinema.

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