The Rhizome of Blackness A Critical Ethnography of Hip-Hop Culture, Language, Identity, and the Politics of Becoming

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The Rhizome of Blackness is a critical ethnographic documentation of the process of how continental African youth are becoming Black in North America. They enter a ≪social imaginary≫ where they find themselves already falling under the umbrella of Blackness. For young Africans, Hip-Hop culture, language, and identity emerge as significant sites of identification; desire; and cultural, linguistic, and identity investment. No longer is ≪plain Canadian English≫ a site of investment, but instead, Black English as a second language (BESL) and ≪Hip-Hop all da way baby!≫ (as one student put it). The result of this dialectic space between language learning and identity investment is a complex, multilayered, and ≪rhizomatic third space,≫ where Canada meets and rubs shoulders with Africa in downtown Toronto, Vancouver, or Montreal in such a way that it produces its own ≪ticklish subject≫ and pedagogy of imaginary and integrative anti-racism.画面が切り替わりますので、しばらくお待ち下さい。
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